Although Ji Dachun’s his works occupy a special role in a Chinese context, he has created his own personal aesthetic in a seemingly playful way. The past and the present that interest him refer to the experiences of the individual and not a society’s political situation. >> Read more
Once again, Art Basel was a huge success. Outside, people were swimming in the Rhine under the June sun and sausages were as ridiculously expensive as ever. And there was lots of art sold, often at record prices, if you believe the breathless reports. IF. It is almost pointless writing about Art Basel. Sharing photos, […] >> Read more
When was it exactly that in the popular imagination women became more into horses than men were? Stereotype has it that teenage girls like nothing more than horses, while boys help their dads pimp their rides instead... >> Read more
A prejudice I wasn’t able to overcome: I find the title of the Biennale unbearable. It literally translates as “Go Art Go” (okay, also “Long Live Art”, but still). >> Read more
(Hong Kong, 10 January 2017) To commemorate the beginning of an artful year, Massimo De Carlo gallery presents its first group show ‘Between Utopia and Dystopia’ at Hong Kong’s Pedder Building. It will be on display from19 January 2017 to 11 March 2017. >> Read more
80,000 kg of human excrement in an art gallery, a Paralympian spinning her wheelchair across Lake Zurich and mournful, lovelorn robots are some of the more entertaining works in Manifesta 11. >> Read more
It is a mistake to compare LA with New York, Beijing or London, because Los Angeles is what they are not. It is their idiosyncratic counterpoint. >> Read more